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1. Oktober 2020 / 1 Std. 49 Min. / Abenteuer, Komödie, Familie
Von Dennis Gansel
Mit Solomon Gordon, Henning Baum, Leighanne Esperanzate
Produktionsland Deutschland

INHALTSANGABE & DETAILS
FSK ab 0 freigegeben
Ein neues Abenteuer für Jim Knopf (Solomon Gordon) und Lokführer Lukas (Henning Baum). Ein Jahr nach den Ereignissen geht das Leben in Lummerland wieder seinen gewohnten Gang. Doch es ziehen dunkle Wolken über der beschaulichen Insel auf: Die Piratenbande „Die Wilde 13“ hat erfahren, dass Frau Malzahn besiegt wurde, und will dafür nun Rache nehmen. Die Einwohner von Lummerland ahnen noch nichts von der drohenden Gefahr. Währenddessen ist Prinzessin Li Si (Leighanne Esperenzante) bei Jim Knopf zu Besuch. Ihr kann Jim sein größtes Geheimnis anvertrauen: Er möchte endlich die Wahrheit über seine Herkunft erfahren. Um das Geheimnis zu lüften und Lummerland vor einer weiteren Bedrohung zu beschützen, machen sich die Helden gemeinsam mit den Dampflokomotiven Emma und Molly auf den Weg in ein gefährliches Abenteuer.

Fortsetzung zum 2018 erschienenen Kinofilm „Jim Knopf und Lukas der Lokomotivführer”, der auf dem gleichnamigen Kinderbuch von Michael Ende basiert.

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"Film theory" seeks to develop concise and systematic concepts that apply to the study of film as art. The concept of film as an art-form began in 1911s with Ricciotto Canudo's The Birth of the Sixth Art. Formalist film theory, led by Rudolf Arnheim, Béla Balázs, and Siegfried Kracauer, emphasized how movie differed from reality and thus could be considered a valid fine art. André Bazin reacted against this theory by arguing that film's artistic essence lay in its ability to mechanically reproduce reality, not in its differences from reality, and this gave rise to realist theory. More recent analysis spurred by Jacques Lacan's psychoanalysis and Ferdinand de Saussure's semiotics among other things has Jim Button and the Wild 13 rise to psychoanalytic film theory, structuralist film theory, feminist film theory, and others. On the other hand, critics from the analytical philosophy tradition, Jim Button and the Wild 13d by Wittgenstein, try to clarify misconceptions used in theoretical studies and produce analysis of a film's vocabulary and its link to a form of life. Story film of long enough duration to be screened as the main film or the only movie at a film screening event. The minimum length criteria for a feature film vary according to the era and the institution that set it. According to the Academy of Motion Picture Arts and Sciences, the American Film Institute, and the British Film Institute, the minimum length of a feature film is 40 minutes. [citation needed]. Most feature films range from 80 minutes to 90 minutes in length. [citation needed]. The Story of the Kelly Gang is the world's first feature film based on the minimum length criteria for a feature film. This film was released in Australia in 1906s. The first feature film that was the result of an adaptation was the film Les Misérables, which was released in 1909s. Films from the early era of feature films, such as Oliver Twist (1912s), Richard III (1912s), and From the Manger to the Cross (1912s).

 

Criteria: The Academy of Motion Picture Arts and Sciences, [citation needed] American Film Institute, [citation needed] and the British Film Institute [citation needed] all designate feature films as films of 40 minutes or more in length. The Center National de la Cinématographie in France defines feature films as 35 mm film format films that are more than 1,600 meters long, or to be precise 58 minutes and 29 seconds for a sound film. According to the Screen Actors Guild, feature films are films that are at least 80 minutes long. [citation needed]. History: In the early days of film history, the term feature film was used for the main film shown in a cinema, or the film that was promoted or advertised by that theater. The term main film is used to distinguish it from short films that are shown before the screening of the main film. The short films include news films, series, animated cartoons, action comedies and documentaries. The main film is the work of famous directors / actors and is more than one roll of film in length. The increase in the length of the "main" films from the film era of the 1910s Jim Button and the Wild 13to conforming to today's criteria for feature films did not take place suddenly, but increased gradually, from two rolls to three to four rolls. The length of feature films has continued to increase since the 1930s. [citation needed] In the 1930s, the average length of the 50 highest grossing films was 96 minutes. [citation needed] In the 1950s, the average length of the 50 best-selling feature films was increased to 96 minutes. [citation needed] In the 1950s, the average length of the 50 highest grossing films was increased to 114 minutes, and to 129 minutes in the 2000s. [citation needed] According to 2008s calculations, the average length of the 50 best-selling feature films was 110 minutes. [citation needed] The early form of the world's first feature film produced in the United States and France, circulated in several parts of the film, and the way it was shown (in whole or in part) was left to the discretion of the cinema. The US company S. Lubin released the film Passion Play in 31 separate parts in January 1903s, for a total duration of 60 minutes. [citation needed] In May 1903s, the French company Pathé Frères released another version of Passion Play under the title La Vie et la passion de Jésus Christ, in 32 parts totaling 44 minutes. Previously there were films that recorded a complete boxing match, for example, The Corbett-Fitzsimmons Fight (1897s). [citation needed] The first dramatic feature film that met the criteria for feature film duration was the 70-minute Australian film The Story of the Kelly Gang (1906s. [citation needed] The first European-produced feature film that met the criteria for a feature film was the French production L'Enfant in 1907s. 1909s. [citation needed] The first feature film in Russian production was Defense of Sevastopol in 1911s. [citation needed] The first British production film that met the criteria for feature film length was a documentary film entitledJim Button and the Wild 13 With Our King and Queen Through India (1912s) which was filmed using the Kinemacolor technique [citation needed] and the Oliver Twist film in s1912. [citation needed] The first feature film in the United States was a remake of the 1912s Oliver Twist films From the Manger to the Cross (1912s), and Richard III (1912s). The Richard III film starred the famous actor at that time, namely Frederick Warde. [citation needed] The first Asian film that met the length criteria for a feature film was the Japanese film The Life Story of Tasuke Shiobara (Shiobara Tasuke Ichidaiki) in 1912s. [citation needed] The first feature film made in China was titled Nan Fu Nan Qi (The Difficult Couple) in 1913s. [citation needed] Nan Fu Nan Qi's screenplay was written by Zheng Zhengqiu, and co-directed by Zheng Zhengqiu and Zhang Shichuan, but the film's cinematographer is an American named Yashell. [citation needed] The first Indian film that met the criteria for a feature film length was a silent film (without sound) entitled Raja Harishchandra (1913s). [citation needed] The first feature film made in Indo was Loetoeng Kasaroeng by famous directors L. Heuveldorp and G. Krugers in 1926s. [citation needed] The first feature film in South America is the Brazilian film O Crime dos Banhados (1913s). [citation needed] The first African feature film production was Die Voortrekkers (Winning A Continent), produced in 1916s. [Picoeng] The producer of Die Voortrekkers is an American named I.W. Schlesinger, while the director is Harold Shaw, who is a British national. The story is about South African pioneers (voortrekkers). The author is named Gustav Prekker who speaks fluent Afrikaans. [citation needed]. In the United States alone in 1915s, more than 600 feature films were produced. [citation needed] 1921s was the most productive year in the history of American story films, with a significant total production of 682 titles in the previous years, while 1963s was the year with the fewest films, with 213 titles. [citation needed] Between 1922s and 1970s, the United States and Japan took turns leading the way in the production of feature films. Since s1971, India has produced one of the largest feature films in the world, [citation needed] which annually produces about a thousand films in more than 12 regional languages ??in India. [citation needed] quite surprising isn't it.

 

???Definitions and Definition of Film / Movie ???

 

Film is an audio-visual communication medium to convey a message to a group of people gathered in a certain place. (citation needed, s1986: 134). Movie messages on mass communication can take any form depending on the film's mission. However, generally a film can include a variety of messages, be it educational, entertainment and information messages. The message in the film is to use the symbolic mechanism that exists in the human mind in the form of message content, sound, speech, conversation and so on. Films are also considered as a powerful communication medium for the masses they target, because of their audio-visual nature, namely living images and sounds. With pictures and sound, films can tell a lot in a short time. When watching a film, the audience seems to be able to penetrate space and time that can tell life and can even Jim Button and the Wild 13 the audience. Today there are various kinds of films, although the approach is different, all films can be said to have one goal, namely to attract people's attention to the content of the problems they contain. In addition, films can be designed to serve both the limited public and the broadest public. Basically, films can be grouped into two basic divisions, namely the category of story films and non-story films. Other opinions classify it into fiction and non-fiction films. Feature films are films that are produced based on stories composed and played by actors and actresses. In general, story films are commercial in nature, meaning that they are shown in theaters for a certain ticket price or shown on television with the support of certain advertising sponsors. Non-story films are films that take reality as the subject, namely recording reality rather than fiction about reality. [citation needed]. During its development, story films and non-story films Jim Button and the Wild 13 each other and give birth to various types of films that have their own characteristics, styles and patterns. As with the film Pendekar Awan dan Angin which is currently being discussed by the writer, this film is a feature film because the story is composed which is shown on television with advertising support. Story Jim Button and the Wild 13 films in order to keep the audience's interest must be responsive to the times, meaning that the story has to be better, professional processing with increasingly sophisticated editing techniques so that the audience does not feel cheated by certain tricks even as if the audience is actually an actor / actress in the film the. In making story films, a thought process and technical process are needed, namely in the form of searchJim Button and the Wild 13ing for ideas, ideas or stories that are worked on, while the technical process is in the form of artistic skills to make all ideas, ideas or stories into films that are ready to watch. While the players who play a role in the film are referred to as actors (men) or actresses (women). There is also the term extras that are used as supporting characters with few roles in the film. This is different from the main actors who have bigger and more roles. Being an actor and an actress must be demanded to have good acting talent, which is in accordance with the theme of the film he is starring in. In certain scenes, the actor’s role can be replaced by a stuntman or a stuntman. The existence of a stuntman is important to replace the actors doing scenes that are difficult and extreme, which are usually found in action action films. Films can also be used to convey certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking Jim Button and the Wild 13 is also a form of expression, thoughts, ideas, concepts, feelings and moods of a human being visualized in film. The film itself is mostly a fiction, although some are based on fact true stories or based on a true story.

 

??? Tv Movie`s???

 

Television film or more commonly known as F.TV is a type of film produced for television made by television stations or production houses with a duration of 120 minutes to 180 minutes with various themes such as adolescence, the tragedy of life, love and religion. A wide screen film Jim Button and the Wild 13 that is shown on television is not considered as F.TV. The term "made-for-TV film" was first used in the United States in the early 1960s as an incentive to keep movie-goers at home and watch what was being promoted as the equivalent of a new cinema film. Starting from 1961 with NBC Saturday Night at the Movies, a prime time network showing the premiere of cinema films on television, other networks then copied the format, with each network having the show [Jim Button and the Wild 13] Night At The Movies which causing a reduction in product studio films. Usually recognized as a television film is See How They Run, which first premiered on NBC on October 7, 1964. [citation needed] There was an earlier film, The Killers, starring Lee Marvin and Ronald Reagan, which was filmed as a TV film, but it was NBC. considered it too harsh for television and released it in theaters only. [citation needed] In its development, many television films have been made into big screen films or vice versa in which the film version of the television film was made. An example is Brian's Song, which was made into the big screen after success on television which was made in 1971 and remade in 2001. In addition there are also feature films whose sequels are made in the form of television films. For example the film Parent Trap, sequels two, three and four were made in the form of a television film, only one Parent Trap was made in the form of a big screen film.

 

???Format`s and Genre`s ???

 

See also: The film format is a technical definition of a standard set of characteristics relating to shooting on photographic film, whether for stills or film making. It can also be applied to projected film, either slides or films. The main characteristic of the film format is its size and shape. In the case of motion picture movies, the format can also include audio parameters (although they often don't). Other characteristics usually include film size, pulldown method, lens anamorphosis (or lack thereof), and film gate or projector aperture dimensions, all of which need to be determined for photography and projection, as they may differ. And regarding the television program format includes clips, documentaries, documentaries, single episodes (one time), films made for TV, franchises, miniseries, micro series, mockumentaries, pilots, prequels, reboots, remakes, segments, sequels, series, series, short, show, special, spin, unaired episode / pilot. Types of televisiJim Button and the Wild 13on programming include animation (animation, computer animation / CGI, stop-motion and traditional animation), direct action, modeling, puppetry and their combinations. Film genre is a particular form, category or classification of several films that have the same form, setting, theme, atmosphere and others. [Citation needed]. Some of the main film genres [citation needed]: Action, Adventure, Comedy, Crime, Drama, Epic, Science fiction, Horror, Butcher, Musical, War. And others like film genres: Romance, Colossal, Thriller, Fantasy and Mystery.

 

??? Thank`s For All And Happy Watching???

 

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